<![CDATA[Whole Horse Training - Nancy\'s Travel Blog 2015]]>Tue, 03 Mar 2026 05:29:42 -0700Weebly<![CDATA[Paris]]>Tue, 17 Nov 2015 21:55:27 GMThttps://www.wholehorsetraining.com/nancys-travel-blog-2015/parisI arrived back in the United States on October 29th and have more adventures to share from my time in Paris. I have loved that city since I first visited it in 1972 and hope to visit many more times in coming years. Seeing the Eiffel Tower darken immediately after the recent attacks in Paris broke my heart. There is little to say about terrorist attacks and travel. My heart goes out to everyone affected, no matter where they live.]]><![CDATA[Walking Tour Paris & Moulin Rouge]]>Tue, 17 Nov 2015 21:50:01 GMThttps://www.wholehorsetraining.com/nancys-travel-blog-2015/-walking-tour-paris-moulin-rouge​(1-5) After admiring Notre Dame cathedral and crossing the Lover’s Lock Bridge, we strolled along the famous Left Bank, to wander the narrow, twisting streets, some of which date from medieval times. This area is also known for trade in second hand books, many of which are sold in the green metal stalls along the riverbank. Next, we found our way to one of my favorite destinations, the Shakespeare & Co. English-speaking bookstore. Since medieval times, the Left Bank has been home to scholars, philosophers and poets. The bookstore that exists today is a reincarnation of the original from the 1920’s but has all the history and charm necessary to attracted large numbers of tourists. Sylvia Beach opened this store to support free thinkers and writers in Paris, many of the Americans and one of the most famous was Ernest Hemmingway. Shakespeare & Co. and home to many of the so-called “lost generation” who went to Paris to find themselves in the aftermath of WWI.
(6-10) At this point, we had to abandon the walking tour in order to get back to the apartment, eat, change clothes and make our date to see the burlesque show at the Moulin Rouge, known for its modern can-can dance revue. Located right at the foot of Montmarte hill, within walking distance of where we were staying, in the famous red light district known as Pigalle, this cabaret has been in operation since 1889. A social hot spot during the Belle Époque, which was an extravagant period of industrial progress cultural excess, this area of Paris was frequented by some of the most famous actors (Aristide Bruant) and artists (Henri de Toulouse-Lautrec) of Paris. Walking in the haunts of these greats made me forget how tired I was. We decided to walk home, and even though it was nearly midnight, we stopped for a drink at Le Chat Noir (The Black Cat) an establishment every bit as famous the Moulin Rouge.
(11) Before crashing into bed to rest up for my second day in Paris, I laid out the souvenirs I had from the day for a photo. What a day! Metro rides to the Grand Palais for exhibits of Vigée Le Brun and Picasso Mania, lunch on the Champs-Élysées Blvd. and a walk to Notre Dame and medieval Paris, including a stop at the Shakespeare & Co. bookstore, and then a show at the Moulin Rouge and a drink at Le Chat Noir. I was in Paris for sure!
]]><![CDATA[Walking Tour, Ancient Paris 1]]>Mon, 09 Nov 2015 04:04:17 GMThttps://www.wholehorsetraining.com/nancys-travel-blog-2015/-walking-tour-ancient-paris-1​(1 – 9) We crossed the busy Champs Élysées Boulevard and turned toward the the Louvre to walk through the Jardin des Tuileries (Tuileries Garden), stopping briefly for a lunch. I opted for a salad and some pommes ftites (French fries) for a meager 20 Euros. It was a beautiful fall day and people were out in force to enjoy the sunshine and autumn colors. “I love Paris in the fall.”
(10 -  17) After crossing the River Seine, we found ourselves in front of Notre Dame Cathedral at a place known as Point Zero. This small octagonal brass plate (see image) set in the ground marks the exact spot from which all distances from Paris are measured. 
I have visited this cathedral before and we were short on time so we decided to admire the exterior and make our way to the Pont des Arts bridge where a controversy over “lovers’ lock” exists. Traditionally lovers have affixed a padlock to the bridge and tossed the key into the river as a symbol of their never-ending love. In the summer of 2015, the city removed some 45 tons of padlocks to save the bridge from the strain of added weight. Currently, the mayor of Paris is trying to encourage couples to capture their love with selfies rather than padlocks. A grass-roots campaign — No Love Locks, Free Your Love, Save Our Bridges — has begun an effort to get the locks banned in Paris. So far, they are enjoying little success.
]]><![CDATA[Picasso Mania at the Grand Palais]]>Thu, 05 Nov 2015 20:58:14 GMThttps://www.wholehorsetraining.com/nancys-travel-blog-2015/-picasso-mania-at-the-grand-palais
  1. Feeling a tad overdosed on 18th century French portraiture, we stepped outside for a brief breath of fresh air and…
  2. …walked around to the side entrance for a cup of coffee and admission to the Picasso Mania exhibit. The exhibit was named after a quote by the artist. When asked if he would keep painting much longer, Picasso replied, “Yes. It’s my mania.”
  3. Our tickets said 13:00 h. (1:00 PM) and if we didn’t show up near that time, we wouldn’t be allowed into the exhibit.
  4. Picasso Mania featured many of Picasso’s famous works, but the real focus was the far-reaching influence the artist had on everything from painting and sculpture to film and advertising in the modern art world. The works of many contemporary artists and filmmakers, including David Hockney, Jasper Johns, Roy Lichtenstein, Jeff Koons and Jean-Luc Godard, traced the impact of Picasso’s work on modern artists since 1960.
  5. By far, my favorite part of the exhibit was the very first presentation where 18 frames of well-known modern artists occupied an enormous wall. All of the frames were “live” in that the images were moving. One by one, a frame would turn to color with audio while that featured artist explained his or her take on how Picasso influenced modern art. This was a collective tribute by living artists from different disciplines that was organized for Picasso’s 90th birthday celebration.
  6. The first room focused on varied depictions of Picasso by more than 50 contemporary artists from all parts of the world.
  7. Another room acknowledged the influences of the Cubist movement that began in 1908 when Picasso and Georges Braque decided to paint what they perceived rather than what they saw. These work included paintings, drawings stencils and collage.
  8. It was really fun to wander the rooms and investigate whatever caught my eye.
  9. One entire room presented Demoiselles from elsewhere, with copies and interpretations of Picasso’s famous painting Les Demoiselles d’Avignon. That painting with its bright colors and jagged shapes marked a turning point in both the artist’s career and modern art.
  10. Les Demoiselles d’Avignon also incorporated the shapes of African masks and, as the exhibit brochure pointed out, Picasso’s use of these mask forms was met with some ambivalence by African artists because, while he helped raise awareness of African art, he also made it part of Western art history.
  11. The iconic political painting, Guernica that was first exhibited at an International Exposition in Paris, as an emotional statement against fascism, totalitarianism and war in general, did not go unnoticed with an entire room dedicated to the work and its inspiration.
  12. For most people, “a Picasso” is a painting from the around 1935 -1940 when his most celebrated works were made in what is called his Cubo-Surrealist style and originals of these works were well represented.
  13. One of the most famous of these works is Picasso’s representation of the legendary Minotaur.
  14. We bid farewell to the Grand Palais and hit the streets.
  15. Looking toward the Arc du Triomphe on the famous Champs Élysées Boulevard.
  16. Looking toward the Obelisk of Luxor in the Place de la Concorde.
  17. This monument was erected in 1836, as a gift to King Charles X by the Viceroy of Egypt. It is one of the twin obelisks that marked the entrance to the Temple of Luxor (its double remains seated at the temple entrance). we will walk through the Jardin des Tuileries (Tuileries Garden) toward the Louvre to begin a walking tour of the ancient section of Paris.
]]><![CDATA[Grand Palias, Paris Special Exhibit: Élisabeth Louise Vigée Le Brun]]>Sun, 01 Nov 2015 19:46:49 GMThttps://www.wholehorsetraining.com/nancys-travel-blog-2015/-grand-palias-paris-special-exhibit-elisabeth-louise-vigee-le-brun​My first day in Paris began with a Metro ride, including several transfers to the Grand Palais, located just off the famous Champs-Élysées Blvd. to see two featured art exhibitions.
  1. Arriving at the Grand Palais
  2. Exhibit schedule
  3. Art in transit
  4. We arrived early and only had to wait in line for about 45 minutes. Like everywhere else we went, masses of people congregated at the exhibits.
  5. Once inside, patience was a necessity.
  6. Élisabeth Louise Vigée Le Brun was a favorite of Marie-Antoinette in pre-revolution France at a time when it was rare for a woman to attain official recognition as a professional artist. This pencil study reveals her ability to capture a likeness and imbue it with the personality of the sitter.
  7. Élisabeth Louise Vigée Le Brun’s father was a renowned pastel artist and he recognized his daughter’s talent in time to encourage and promote her from a young age. This exquisite pastel portrait, with its crisp color and rich textures, surely would have made him proud.
  8. This detail of satin and lace helps us understand why the artist’s father said, “ You shall be a painter, my child, or nothing at all.”
  9. At a time when the book, Emile by Jean-Jacques Rouseau set out ideas that attached great importance to the bonds that unite a mother with her children, Élisabeth Louise Vigée Le Brun’s tender renditions of mothers and children were appreciated by critics as well as the general public.
  10. In addition to portraits of mothers with their children, she also painted pictures of children alone.
  11. Elegantly curated by Joseph Baillio and Xavier Salmon, the Grand Palais exhibition contains 160 works, including some very large canvases and exceptional loans from Versailles. Nearly half the pictures are from private collections and many have never been seen in public. (NY Times article)
  12.  Of course, the setting of the Grand Palias added a great deal to the flavor of the exhibit. It was built for the 1900 Universal Exhibition and was dedicated to the glorification of French Art. It now houses several temporary art exhibitions each year, drawing nearly 2 million visitors annually. Here are some pictures of the grand staircase:
  13. Grand Palias stairway
  14. View from a window at the stairway landing, looking to where we queued for the exhibit.
  15. Grand Palais stairway.
  16. Later in her career, Élisabeth Louise Vigée Le Brun did paint some landscapes.
  17. These are some tiny examples.
  18. Exit through the gift store.
Learn more in a New York Times article online http://www.nytimes.com/2015/10/03/arts/international/vigee-le-brun-a-delayed-tribute-to-a-french-trailblazer.html?_r=0

]]><![CDATA[Off To Paris]]>Thu, 29 Oct 2015 08:42:12 GMThttps://www.wholehorsetraining.com/nancys-travel-blog-2015/-off-to-paris​The drive to the train station in Düsseldorf had a few exciting moments. Part of it was on a section of Autobahn with no speed limit and the Subaru Forester I was riding in went 110-km/hr. with no problem. Point of interest = that car also had two gas tanks, one for diesel and one for compressed natural gas (biomethane).
No traveler likes to arrive at a train station and hear the words: “That train has been cancelled.” Uhg! So, rather than being 1 hour and 20 minutes early, I had 2 minutes to get on a train to Köln to catch my train to Paris. Also not included in the directions was the fact that the train I was on arrived at a substation in Köln and I had to find a connecting train to get to the main station…, all in a day’s travel.
Arriving in Paris after 10:00 PM was not my first choice and, fortunately, all went well. My friend from London was standing on the sidewalk in front of the apartment I booked through airbnb.com to greet me. She and her traveling companion arrived at the a few hours before me. So, sleep and up to hit the streets and museums first things in the morning. Pinch me!!!
The apartment was in the 18th arrondissement (XVIIIe arrondissement), located what is known as the Right Bank and it is one of the 20 arrondissement (municipal neighborhoods) of Paris. The district of Montmartre contains a hill dominated by the Sacré Cœur basilica and the well-known Moulin Rouge cabaret.
Here are some pictures of the apartment and surrounding streets that greeted me the next morning.

]]><![CDATA[Connected Riding Training, Germany]]>Tue, 27 Oct 2015 20:33:22 GMThttps://www.wholehorsetraining.com/nancys-travel-blog-2015/-connected-riding-training-germany​These pictures are from the Connected Riding training in Germany. Peggy Cummings had 7 students who came together from Germany, Switzerland and the U.K. to deepen their understanding of Connected Riding (CR). I was excited to be on hand to help her and watch them learn.
CR offers riders answers to questions about how to help their horses and themselves that they won’t find anywhere else. Horses are born with extraordinary potential for movement and most training creates tension that destroys that potential. Few riders realize the extent to which their posture affects the horses they ride. CR reveals several indisputable truths about posture and function and shows riders how to make life better for the horses they love.  Based in the concept that it is the person’s responsibility to change from static to dynamic and put dynamic oscillation back into the body of the horse, CR emphasizes functional movement and training methods that promote it.
Of course there are some great pictures of dogs and some kids doing groundwork with and riding ponies. Is this the future of Connected Riding? We certainly hope so!
]]><![CDATA[Barnyard in Tönisvorst, Germany ]]>Mon, 26 Oct 2015 17:48:43 GMThttps://www.wholehorsetraining.com/nancys-travel-blog-2015/-barnyard-in-tonisvorst-germany​Petra’s farm in Tönisvorst is so beautiful. These pictures will show you why I am so taken with the old, historic flavor of a place like this.  There is humor in the photos of the outhouse and the dogs and beauty in the landscape, foliage and horses.
]]><![CDATA[Connected Riding Instructor Training, Tönisvorst, Germany            ]]>Thu, 22 Oct 2015 21:31:40 GMThttps://www.wholehorsetraining.com/nancys-travel-blog-2015/-connected-riding-instructor-training-tonisvorst-germany​The Connected Riding instructor training is taking place in Tönisvorst, Germany, a tiny village near Düsseldorf. This village is located in the north of Germany where the land is flat and the buildings, nearly all made of brick, echo the style of houses found in Holland. These pictures are from a walk around town. You can go all the way around the single block in less than 15 minutes but there is so much to see. I think the thing that strikes me the most is the tidy nature of everything and how clean and well maintained the villages are, but the narrow streets are show stoppers for American eyes.            
             
]]><![CDATA[Equine Bodywork Workshop, Holland]]>Mon, 19 Oct 2015 22:20:24 GMThttps://www.wholehorsetraining.com/nancys-travel-blog-2015/equine-bodywork-workshop-holland​The weather was damp and cool, but nothing could dampen our spirits. Morning fog added an element of mystery to the German and Dutch landscapes.
The workshop, called Release Your Horse’s Body, teaches an easy to learn and highly effective routine that addresses tension and compensatory patterns in horses and explores the importance of good posture and self-carriage in riding and training.
Sid Erickson, DVM from Montana, developed it and I organized it into a workbook and illustrated it. I have taught this routine several times and enjoy sharing it with interested horse owners and riders.
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