I am he as you are he as you are me
And we are all together
The Beatles
And we are all together
The Beatles
I Am the Walrus!!!
Distance Healing Sessions
I am a dyed-in-the-wool skeptic. Yet I subscribe to complementary and alternative healing modalities, including energy work, homeopathy, essential oils, and tuning fork sound therapy. I didn’t go looking for these methods, but when faced with undeniable results after trying them, I became a believer.
So, it was with distance healing. After successfully using tuning forks to release physical restrictions in my ANT bodywork, I discovered the work of Eileen McKusick.[i] She mapped the human biofield and showed that tuning forks could be used to determine and clear emotional patterns from our past that manifest in our present.
[i] Eileen McKusick, Tuning the Human Biofield, Healing with Vibrational Sound Therapy (Healing Arts Press, 2014).
So, it was with distance healing. After successfully using tuning forks to release physical restrictions in my ANT bodywork, I discovered the work of Eileen McKusick.[i] She mapped the human biofield and showed that tuning forks could be used to determine and clear emotional patterns from our past that manifest in our present.
[i] Eileen McKusick, Tuning the Human Biofield, Healing with Vibrational Sound Therapy (Healing Arts Press, 2014).
When studying Biofield Tuning, I discovered that, within the concept of the Electric Universe Theory, there exists an explanation for the idea that all things, everywhere, and at all times are connected, this connection is found in a sea of electromagnetism, and it relates to the relationship of consciousness to subtle energy. Mystics have been saying for ages that the universe is one unified field of varying frequencies, the arrangement of which determines the information present. Just as you can direct your consciousness to one or another part of your body, it is possible to place it on a body in the next room, or one that is a thousand miles away.[i]
[i] McKusick, Tuning the Human Biofield, 123. |